Critiques

Examples of critiques of BBC output: 

  • Critique of BBC coverage of the second Intifada, 2001, by CAMERA. (Additional material here.) 
  • Critique of BBC coverage of the second Intifada, 2002 & 2003, by CAMERA – also here
  • Critique of the BBC Online timeline ‘A History of Conflict’, 2003, by CAMERA. (Additional information here.) 
  • Critique of BBC Online Profiles, 2003, by CAMERA.
  • Critique of BBC World Service radio programme ‘Does Israel Have the Right to Exist?‘, 2003, by CAMERA
  • Critique of the BBC documentary ‘The Elusive Peace’, 2005, by CAMERA
  • Critique of BBC Online coverage of attacks on Israeli communities bordering Gaza, 2005, by CAMERA.
  • Critique of the BBC current affairs programme ‘Hardtalk‘ with Ephraim Halevy, 2006, by CAMERA.
  • Critique of BBC Online article ‘Palestinians back prisoner release call‘, 2006, by CAMERA
  • Critique of BBC Online coverage of the Second Lebanon War, 2006, by CAMERA. (Additional material here.)
  • Critique of BBC Radio series Six Days that Changed the Middle East, Jeremy Bowen, 2007, by CAMERA. (Additional material on Jeremy Bowen’s related article How 1967 defined the Middle East, BBC Online, here and here.) 
  • Critique of BBC Online article Israelis from Iraq remember Babylon, 2007, by CAMERA
  • Critique of BBC Online article ‘London summit on Jewish refugees‘, 2008, by Just Journalism.
  • Critique of the BBC documentary A Walk in the Park, 2010 (Panorama – Jane Corbin), by CAMERA. (Additional material here and here.)
  • Critique of the BBC documentary Death in the Med, 2010 (Panorama – Jane Corbin), by Just Journalism. (Additional material here and here.  
  • Critique of BBC Online ‘Profile: Hamas Palestinian movement‘, 2011, by Just Journalism
  • Critique of BBC Radio Four programme ‘From Our Own Correspondent‘, Kevin Connolly, 2011, by Just Journalism.
  • Critique of BBC Radio Four programme ‘From Our Own Correspondent‘, Jeremy Bowen, 2011, by Just Journalism.
  • Critique of the BBC current affairs programme Hardtalk with Norman Finkelstein, 2012, by CAMERA